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The Gateway to the Great Temple at Baalbec by David Roberts

The Gateway to the Great Temple at Baalbec

David Roberts·1841

Historical Context

David Roberts's The Gateway to the Great Temple at Baalbec of 1841, painted after his 1838-39 Near Eastern journey, depicts the monumental Roman ruins of Baalbek in the Bekaa Valley — among the largest and best-preserved temple complexes of the ancient world. Roberts made meticulous studies on site and returned to produce oil paintings and the celebrated lithographic series The Holy Land, Syria, Idumea, Arabia that made his reputation. The gateway's colossal Corinthian columns dwarf the figures of local inhabitants, suggesting the overwhelming scale of Roman imperial architecture and the fragility of human achievement over millennia.

Technical Analysis

Roberts's rendering of the massive stone columns and carved details demonstrates his extraordinary skill in architectural painting. The contrast between the monumental ruins and the tiny human figures creates the sense of awe-inspiring scale that characterized his best work.

See It In Person

Royal Academy of Arts

London, United Kingdom

Visit museum website →

Quick Facts

Medium
Oil on panel
Dimensions
75.8 × 61.8 cm
Era
Romanticism
Style
British Romanticism
Genre
Architectural
Location
Royal Academy of Arts, London
View on museum website →

More by David Roberts

Old Buildings on the Darro, Granada by David Roberts

Old Buildings on the Darro, Granada

David Roberts·1834

Entrance to the crypt, Roslin Chapel by David Roberts

Entrance to the crypt, Roslin Chapel

David Roberts·1843

A View of Toledo and the River Tagus by David Roberts

A View of Toledo and the River Tagus

David Roberts·1841

The Israelites Leaving Egypt by David Roberts

The Israelites Leaving Egypt

David Roberts·1830

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