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Queen Victoria (1819–1901) by Martin Archer Shee

Queen Victoria (1819–1901)

Martin Archer Shee·1842

Historical Context

Martin Archer Shee's state portrait of Queen Victoria of 1842 was commissioned during his final years as President of the Royal Academy, presenting the young queen with the formal grandeur expected of official royal portraiture. By this date Victoria had been married to Prince Albert for two years and had begun the family that would define the Victorian monarchy. Shee's portrait belongs to the established tradition of official state representation, its emphasis on robes, jewels, and ceremonial dignity serving the political function of projecting monarchical authority to a public that consumed royal imagery through reproductions. The portrait documents Shee's continued institutional importance despite his failing health.

Technical Analysis

Shee's portrait presents the young queen with appropriate dignity and formality. The careful academic technique renders the royal robes and regalia with professional competence, creating a respectable if unremarkable state portrait.

See It In Person

Royal Academy of Arts

London, United Kingdom

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
270 × 177.5 cm
Era
Romanticism
Style
Romanticism
Genre
Portrait
Location
Royal Academy of Arts, London
View on museum website →

More by Martin Archer Shee

John Philip Kemble by Martin Archer Shee

John Philip Kemble

Martin Archer Shee·c. 1795

William Archer Shee (1810–1899), the Artist's Son by Sir Martin Archer Shee

William Archer Shee (1810–1899), the Artist's Son

Sir Martin Archer Shee·ca. 1820

Sir Martin Archer Shee by Martin Archer Shee

Sir Martin Archer Shee

Martin Archer Shee·1794

King William IV by Martin Archer Shee

King William IV

Martin Archer Shee·1800

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