_-_Francis_Baildon_-_7-1939.1_-_Bradford_Museums_and_Galleries.jpg&width=1200)
Francis Baildon
George Hayter·1846
Historical Context
Francis Baildon sat for Hayter in 1846, relatively late in the artist’s career when he was established as one of Britain’s leading portrait painters. The portrait, now in the Bradford Museums and Galleries, represents Hayter’s continuing market for private commissions even as his royal and parliamentary work defined his public reputation. Bradford’s industrial wealth created a growing market for portraiture among the Yorkshire gentry and merchant class.
Technical Analysis
The mature Hayter’s technique is visible in the economy of brushwork, with the sitter’s features rendered with confident directness. A neutral background and dark coat focus attention squarely on the face.
_-_Our_Saviour_after_the_Temptation_(sketch)_-_P.55-1982_-_Victoria_and_Albert_Museum.jpg&width=400)
_-_Saith_Satoor_and_Ali_Hassan_Bey_-_SD.489_-_Victoria_and_Albert_Museum.jpg&width=400)
_-_The_Angels_Ministering_to_Christ_-_60-1872_-_Victoria_and_Albert_Museum.jpg&width=400)




.jpg&width=600)