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Cymon and Iphigenia by John Everett Millais

Cymon and Iphigenia

John Everett Millais·1847

Historical Context

Millais's Cymon and Iphigenia of 1847, painted when he was eighteen, depicts the story from Boccaccio's Decameron in which Cymon, a brutal clown, is transformed into a civilized man by the sight of the beautiful sleeping Iphigenia. The subject — beauty's civilizing power — was a favorite of academic painters, and Millais's treatment demonstrates his extraordinary precocity as a history painter. The painting won the Royal Academy's gold medal for history painting, establishing his reputation as the most technically gifted student of his generation. It reveals the classical academic training that he would shortly transform through Pre-Raphaelite radical revision.

Technical Analysis

The painting demonstrates the young Millais's exceptional technical ability and his command of academic figure painting conventions. The careful rendering of the figures and the pastoral setting show the solid foundation from which his Pre-Raphaelite revolution would emerge.

See It In Person

Lady Lever Art Gallery

Liverpool, United Kingdom

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
114.3 × 147.3 cm
Era
Romanticism
Style
British Romanticism
Genre
History
Location
Lady Lever Art Gallery, Liverpool
View on museum website →

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Pizarro Seizing the Inca of Peru by John Everett Millais

Pizarro Seizing the Inca of Peru

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Ferdinand Lured by Ariel by John Everett Millais

Ferdinand Lured by Ariel

John Everett Millais·1850

Mrs James Wyatt Jr and her Daughter Sarah by John Everett Millais

Mrs James Wyatt Jr and her Daughter Sarah

John Everett Millais·1850

Christ in the House of His Parents by John Everett Millais

Christ in the House of His Parents

John Everett Millais·1849

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