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Lady Godiva by George Frederic Watts

Lady Godiva

George Frederic Watts·1885

Historical Context

George Frederic Watts's 'Lady Godiva' (1885) is a subject with deep English historical and legendary resonance — the Countess Godiva's legendary ride through Coventry to secure relief from oppressive taxation for the town's people was one of the most celebrated episodes of English medieval history/legend, celebrated in Tennyson's poem and in numerous Victorian paintings. Watts's engagement with the subject at the height of his career brought his characteristic combination of classical technique and symbolic depth to this quintessentially English legendary subject.

Technical Analysis

Watts renders Godiva with his characteristic combination of idealized figure treatment and atmospheric subtlety — the nude woman on horseback, her long hair providing the modest concealment of the legend, depicted with the classical purity of form that distinguished his best allegorical figure work. His handling of the atmospheric quality around the figure and the quality of the light on the figure creates the dreamlike, symbolic atmosphere appropriate to the legendary subject. The horse's form and its relationship to the nude rider create the composition's primary formal challenge.

See It In Person

Watts Gallery

Compton, United Kingdom

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Quick Facts

Medium
Oil on canvas
Era
Romanticism
Style
Romanticism
Genre
Portrait
Location
Watts Gallery, Compton
View on museum website →

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Sir Alexander Cockburn (1802–1880), LLD, Lord Chief Justice of England (1859) by George Frederic Watts

Sir Alexander Cockburn (1802–1880), LLD, Lord Chief Justice of England (1859)

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The Denunciation of Cain by George Frederic Watts

The Denunciation of Cain

George Frederic Watts·1872

Miss Virginia Julian Dalrymple (Mrs Francis Champneys) by George Frederic Watts

Miss Virginia Julian Dalrymple (Mrs Francis Champneys)

George Frederic Watts·1872

Paolo and Francesca by George Frederic Watts

Paolo and Francesca

George Frederic Watts·1873

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