_(studio_of)_-_Saint_Luke_Drawing_the_Virgin_-_2016.10_-_Bowes_Museum.jpg&width=1200)
Saint Luke Drawing the Virgin
Dieric Bouts·c. 1445
Historical Context
This Saint Luke Drawing the Virgin, attributed to Bouts and dating to around 1445, participates in one of the most charged iconographic traditions of Flemish painting: the image of the artist as divinely authorized witness. The apostle Luke, patron saint of painters, was believed to have painted the Virgin from life, founding the tradition of sacred portraiture. Rogier van der Weyden's celebrated version established the definitive Flemish treatment; Bouts's rendering engages with that model while contributing his own characteristic attention to interior space and devotional focus. The work served the double function of devotional image and professional statement of artists' sacred vocation.
Technical Analysis
The scene of the artist-saint at work is rendered with careful attention to the tools and setting of a painter's practice, the composition reflecting on the relationship between artistic creation and divine inspiration.

_-_1986.998_-_Art_Institute_of_Chicago.jpg&width=600)

_(follower_of)_-_Christ_Crowned_with_Thorns_-_P.1978.PG.45_-_Courtauld_Gallery.jpg&width=600)



