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The Adoration of the Virgin by Antonio da Correggio

The Adoration of the Virgin

Antonio da Correggio·c. 1512

Historical Context

The Adoration of the Virgin at Paxton House follows Correggio's tender approach to Marian devotional subjects. His compositions of the Virgin adoring the Christ Child emphasized the intimate, maternal aspect of the sacred relationship, making the divine accessible through human emotion The Virgin Mary occupied a central place in late medieval and Renaissance piety, venerated as intercessor and Queen of Heaven, her image produced in countless devotional objects for public and private use.

Technical Analysis

The composition presents the adoring Virgin with Correggio's characteristic soft light and gentle modeling. The warm palette and intimate scale create a devotional image of tender maternal love.

See It In Person

Paxton House

Berwickshire, United Kingdom

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
79 × 66 cm
Era
High Renaissance
Style
High Renaissance
Genre
Religious
Location
Paxton House, Berwickshire
View on museum website →

More by Antonio da Correggio

Virgin and Child with the Young Saint John the Baptist by Antonio da Correggio

Virgin and Child with the Young Saint John the Baptist

Antonio da Correggio·c. 1515

Pietà by Antonio da Correggio

Pietà

Antonio da Correggio·1512

Penitent Magdalene by Antonio da Correggio

Penitent Magdalene

Antonio da Correggio·1611

Lesender Amor (Nachfolger) by Antonio da Correggio

Lesender Amor (Nachfolger)

Antonio da Correggio·1520

More from the High Renaissance Period

Head of Saint John the Baptist on a Charger by Aelbert Bouts

Head of Saint John the Baptist on a Charger

Aelbert Bouts·ca. 1500

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Lucrezia di Lippo di Iacopo Guidi

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Domenico da Gambassi by Andrea del Sarto

Domenico da Gambassi

Andrea del Sarto·1525–28

The Holy Family with Four Saints and a Female Donor by Antonio Rimpatta

The Holy Family with Four Saints and a Female Donor

Antonio Rimpatta·c. 1510