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Judith received by Holofernes
Paolo Veronese·c. 1558
Historical Context
Judith Received by Holofernes (c. 1558), in the Ashmolean Museum at Oxford, depicts the moment when the beautiful Israelite widow enters the tent of the Assyrian general, beginning the deception that will lead to his death. Veronese stages the encounter as a courtly reception, with Holofernes enthroned amid his officers while Judith approaches with calculating composure. The painting is part of a series of Old Testament narratives, likely painted for a Venetian palace, that Veronese executed in the late 1550s. The richly colored costumes and architectural settings transform biblical drama into Venetian pageantry, while the narrative tension between Judith's beauty and her deadly purpose gives the scene a dramatic edge.
Technical Analysis
The composition orchestrates the figures in an architectural setting with Veronese's characteristic attention to costume and ceremonial gesture. The luminous palette and rich textile surfaces create visual opulence.
Look Closer
- ◆Notice Holofernes enthroned amid his officers while Judith approaches with calculating composure — Veronese stages the encounter as a courtly reception.
- ◆Look at the richly colored costumes and architectural settings transforming biblical drama into Venetian pageantry at the Ashmolean Museum.
- ◆Observe the narrative tension between Judith's beauty and her deadly purpose giving the scene a dramatic edge beneath the ceremonial surface.


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