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A Standing Putto by Paolo Veronese

A Standing Putto

Paolo Veronese·c. 1558

Historical Context

This Standing Putto by Paolo Veronese, held at Weston Park, depicts one of the plump, winged child figures that appear throughout his decorative programs. Putti were essential elements of Renaissance and Mannerist decoration, populating ceiling paintings, altarpiece borders, and palace decorations. Veronese's putti are among the most celebrated in Italian art — lively, physical, and naturalistic rather than merely symbolic. This painting may be a fragment, a study, or an independent decorative piece demonstrating the artist's mastery of the child figure.

Technical Analysis

The putto is rendered with Veronese's luminous flesh painting and confident, fluid brushwork. The figure's natural, lively posture avoids the stiffness common in lesser artists' treatment of these decorative figures, while the soft modeling and warm highlights demonstrate Veronese's sensitive handling of child anatomy.

Look Closer

  • ◆Notice how Veronese stages this scene of "A Standing Putto" with the theatrical grandeur and luminous color that defined Venetian Renaissance painting.

See It In Person

Weston Park

Blymhill and Weston-under-Lizard,

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
62.8 × 35.5 cm
Era
Mannerism
Style
Mannerism
Genre
Religious
Location
Weston Park, Blymhill and Weston-under-Lizard
View on museum website →

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The Annunciation by Paolo Veronese

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Ezekiel by Paolo Veronese

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