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Two Standing Female Nudes (verso)
William Etty·1830
Historical Context
Two Standing Female Nudes (verso), painted around 1830 and now in the Courtauld Gallery, belongs to the extensive body of life studies that Etty produced throughout his career at the Royal Academy's evening life-class sessions. The verso designation indicates this was painted on the back of another work, a common practice when materials were being used economically. Etty's devotion to the life class was legendary — he continued attending as a full Royal Academician, working alongside students decades his junior. The Courtauld Gallery's holdings of these figure studies document the academic practice that underpinned Etty's finished paintings, revealing the disciplined observation behind his apparently spontaneous brushwork.
Technical Analysis
Executed with sensuous flesh painting and attention to rich Venetian coloring, the work reveals William Etty's characteristic approach to composition and surface. The treatment of light and the careful modulation of color create visual richness within a unified pictorial scheme.
Look Closer
- ◆Notice the verso designation — this was painted on the back of another work, demonstrating the economy of Etty's studio practice as he used both sides of his supports.
- ◆Look at the sensuous flesh painting and rich Venetian coloring characterizing these two standing female nudes from around 1830.
- ◆Observe this Courtauld Gallery study from the life-class sessions that Etty attended with extraordinary dedication throughout his career.


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