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Titania and the Fairies by William Etty

Titania and the Fairies

William Etty·c. 1805

Historical Context

Shakespeare's fairy queen Titania appears with her attendant sprites in this painting from around 1805, held at the Sheffield Galleries and Museums Trust. Fairy painting was a distinctive British genre that flourished from the late eighteenth century, giving artists license to depict nude and semi-nude figures in fantastical settings without the moral objections provoked by contemporary nudity. For Etty, the subject offered an ideal vehicle for his flesh painting within an acceptable literary framework.

Technical Analysis

The fairy figures allow Etty to deploy his full range of flesh tones in diminutive scale, with the luminous quality of fairy skin suggesting supernatural radiance. The woodland setting is rendered with looser, more atmospheric brushwork that creates an enchanted environment. Warm golden light suffuses the scene, unifying the diverse figures and the natural setting.

Look Closer

  • ◆Notice Shakespeare's fairy queen Titania with her attendant sprites — fairy painting was a distinctive British genre giving artists license to depict nude figures in diminutive, enchanted scale.
  • ◆Look at the luminous fairy skin suggesting supernatural radiance, with the woodland setting rendered in looser, atmospheric brushwork.
  • ◆Observe warm golden light suffusing the enchanted scene in this Sheffield Galleries painting from around 1805.

See It In Person

Sheffield Galleries and Museums Trust

Sheffield, United Kingdom

Visit museum website →

Quick Facts

Medium
Oil on paper
Dimensions
21 × 16.3 cm
Era
Neoclassicism
Style
British Neoclassicism
Genre
Genre
Location
Sheffield Galleries and Museums Trust, Sheffield
View on museum website →

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The Three Graces by William Etty

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Head of a Cardinal by William Etty

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William Etty·ca. 1844

The Ring by William Etty

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William Etty·ca. 1835

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