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Friar Puck by Henry Fuseli

Friar Puck

Henry Fuseli·c. 1783

Historical Context

Friar Puck at Tabley House combines Shakespearean fairy lore with Fuseli’s visionary imagination. Puck, or Robin Goodfellow, the trickster spirit from A Midsummer Night’s Dream, was a subject that allowed Fuseli to explore the boundary between the comic and the sinister that characterizes much of Shakespeare’s supernatural writing. Characteristic of the artist's mature approach, the work displays Michelangelesque muscular figures in extremis, supernatural and nightmare subjects, violent foreshortening, dark Gothic atmosphere, theatrical excess.

Technical Analysis

Fuseli renders the mischievous spirit with characteristic psychological intensity. Bold lighting and exaggerated proportions create a figure that is both comic and slightly menacing.

See It In Person

Tabley House

Cheshire, United Kingdom

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
111.8 × 86.4 cm
Era
Romanticism
Style
British Romanticism
Genre
Mythology
Location
Tabley House, Cheshire
View on museum website →

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Two Heads of Damned Souls from Dante's "Inferno" (recto and verso)

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Sketch for "Oath on the Rütli" (recto), Female Figure (verso) by Henry Fuseli

Sketch for "Oath on the Rütli" (recto), Female Figure (verso)

Henry Fuseli·1779–81 (recto); 1785–90 (verso)

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Henry Fuseli·1796

More from the Romanticism Period

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The Fountain at Grottaferrata

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Dante's Bark by Eugène Delacroix

Dante's Bark

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Shipwreck by Jean-Baptiste Isabey

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Jean-Baptiste Isabey·19th century

Portrait of Emmanuel Rio by Albert Schindler

Portrait of Emmanuel Rio

Albert Schindler·1836