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Edward Venables Vernon-Harcourt (1757–1847) by John Hoppner

Edward Venables Vernon-Harcourt (1757–1847)

John Hoppner·1803

Historical Context

Edward Venables Vernon-Harcourt from 1803 by John Hoppner depicts the future Archbishop of York who would serve in that role from 1807 to 1847. Hoppner was one of the leading portrait painters of the late Georgian period, rivaling Thomas Lawrence for the patronage of the British elite after Reynolds's death in 1792. Characteristic of the artist's mature approach, the work displays fluent, confident brushwork in the tradition of Reynolds, with a warm atmospheric palette and a gift for flattering likenesses that retained individual character.

Technical Analysis

The portrait demonstrates Hoppner's fluid, painterly technique that distinguished him from Lawrence's more polished finish, with broad brushwork creating an atmospheric portrait of the churchman.

See It In Person

Christ Church Picture Gallery

Oxford, United Kingdom

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
139.7 × 116.8 cm
Era
Neoclassicism
Style
British Neoclassicism
Genre
Portrait
Location
Christ Church Picture Gallery, Oxford
View on museum website →

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William Gifford by John Hoppner

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Mrs. Thomas Pechell (Charlotte Clavering, died 1841) by John Hoppner

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Major Thomas Pechell (1753–1826) by John Hoppner

Major Thomas Pechell (1753–1826)

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Portrait of a Woman; (reverse, now covered by relining canvas) Study of a Child's Head by John Hoppner

Portrait of a Woman; (reverse, now covered by relining canvas) Study of a Child's Head

John Hoppner·1790s

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Portrait of a Musician by Alessandro Longhi

Portrait of a Musician

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