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Colonel Thomas Stanley by Thomas Lawrence

Colonel Thomas Stanley

Thomas Lawrence·1794

Historical Context

Colonel Thomas Stanley, painted in 1794, is an early work from the period when Lawrence was rapidly establishing himself as the successor to Reynolds. The military uniform places this in the context of the Revolutionary Wars that had begun in 1793, when many of Lawrence's sitters were serving or preparing for service against France. The portrait's presence in Manchester Art Gallery connects it to Lancashire, the Stanley family's ancestral county.

Technical Analysis

The military portrait demonstrates Lawrence's early confidence with male sitters, the red coat providing a bold color accent against the dark background. The face is painted with the precise, somewhat more labored handling of Lawrence's earlier period, before he developed the freer brushwork of his maturity.

Look Closer

  • ◆Notice the red coat providing a bold color accent against the dark background: early Lawrence uses color contrast more boldly than his mature work.
  • ◆Look at the somewhat more labored early handling: compare this 1794 military portrait to Lawrence's later bravura technique.
  • ◆Observe the Manchester Art Gallery location: the Stanley family's Lancashire connection places the portrait in its ancestral county.
  • ◆Find the period context: 1794 is one year into Britain's war with Revolutionary France, and the red coat has immediate military significance.

See It In Person

Manchester Art Gallery

Manchester, United Kingdom

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
283.5 × 181 cm
Era
Neoclassicism
Style
British Neoclassicism
Genre
Portrait
Location
Manchester Art Gallery, Manchester
View on museum website →

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Elizabeth Farren (born about 1759, died 1829), Later Countess of Derby by Thomas Lawrence

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