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Noah's Sacrifice by Daniel Maclise

Noah's Sacrifice

Daniel Maclise·1850

Historical Context

This 1850 Noah's Sacrifice was painted during Maclise's late career when he was engaged with monumental historical and biblical subjects alongside his Westminster fresco commissions. The theme of Noah's thankful sacrifice after the Flood — the patriarch offering burnt offerings as the dove returns with the olive branch — was a biblical narrative that combined grand landscape with historical figure composition. By 1850, Maclise had established his reputation as Britain's foremost history painter through the Westminster commissions and major Shakespearean subjects. His biblical works from this period demonstrate the range of his ambition beyond specifically national historical subjects toward the universal biblical narratives that formed the common foundation of European historical painting.

Technical Analysis

The composition arranges the sacrificial scene with dramatic lighting and precise figural drawing, Maclise's strong sense of theatrical staging lending the biblical narrative a vivid sense of physical and emotional immediacy.

See It In Person

Leeds Art Gallery

Leeds, United Kingdom

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Quick Facts

Medium
Oil paint
Dimensions
206 × 254 cm
Era
Romanticism
Style
Romanticism
Genre
Religious
Location
Leeds Art Gallery, Leeds
View on museum website →

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Scene from Ben Jonson's <font -i>Every Man in His Humour</font -i> (Act II, Scene I) by Daniel Maclise

Scene from Ben Jonson's <font -i>Every Man in His Humour</font -i> (Act II, Scene I)

Daniel Maclise·1847-1848

John Forster by Daniel Maclise

John Forster

Daniel Maclise·1830

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