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The Duke of York (1763–1827) by Thomas Phillips

The Duke of York (1763–1827)

Thomas Phillips·1823

Historical Context

Phillips's portrait of the Duke of York from 1823 depicts the second son of George III and Commander-in-Chief of the British Army—a figure of enormous military administrative importance despite the personal scandals that had temporarily forced him from the Commander-in-Chief's position in 1809. The Duke of York's portrait was a standard commission type for military institutions and regimental messes throughout the British army, and Phillips's version served the official documentation function appropriate to the head of the army's administrative structure. His military portraits combined the formal conventions of official portraiture with the specific uniform and decorations that identified the sitter's rank and honors within the military hierarchy.

Technical Analysis

The military portrait presents the duke in uniform, with decorations and insignia rendered with the precise attention to detail that such official portraits demanded. Phillips's handling of military dress and accoutrements demonstrates his competence with this specialized genre. The ducal bearing is conveyed through formal pose and direct gaze.

See It In Person

Walker Art Gallery

Liverpool, United Kingdom

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Quick Facts

Medium
Oil paint
Dimensions
267 × 178 cm
Era
Romanticism
Style
British Romanticism
Genre
Portrait
Location
Walker Art Gallery, Liverpool
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Portrait of Lord Byron, British poet (1788–1824)

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