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A Standing Lady by Parmigianino

A Standing Lady

Parmigianino·c. 1522

Historical Context

This Standing Lady by Parmigianino, held at Tabley House in Cheshire, exemplifies the artist's refined approach to female portraiture and idealized figure studies. Dating to around 1530, the work belongs to Parmigianino's maturity when he was the leading painter in Parma and one of the most influential artists in Italy. His images of elegant women, with their elongated necks and fingers, tapering waists, and composed expressions, established an ideal of feminine beauty that influenced portraiture for generations.

Technical Analysis

The figure displays Parmigianino's signature proportional distortions — elongated neck and fingers, small head atop a long torso — that create an effect of superhuman elegance. The smooth, porcelain-like finish of the skin and the precise rendering of fabrics demonstrate his extraordinarily refined technique.

See It In Person

Tabley House

Tabley Inferior,

Visit museum website →

Quick Facts

Medium
Oil on canvas
Dimensions
9.4 × 8 cm
Era
Mannerism
Style
Mannerism
Genre
Genre
Location
Tabley House, Tabley Inferior
View on museum website →

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A Martyrdom by Parmigianino

A Martyrdom

Parmigianino·c. 1522

Lucretia by Parmigianino

Lucretia

Parmigianino·c. 1522

Child Saint John by Parmigianino

Child Saint John

Parmigianino·1529

Ritratto di giovane by Parmigianino

Ritratto di giovane

Parmigianino·1529

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