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Christ and the woman taken into adultery by Matthias Stom

Christ and the woman taken into adultery

Matthias Stom·1630

Historical Context

Christ and the Woman Taken in Adultery, painted around 1630, depicts the scene from John chapter 8 in which Jesus challenged the Pharisees to cast the first stone. The subject was popular among Caravaggist painters because the dramatic confrontation between mercy and judgment lent itself to the psychological intensity and stark moral contrasts that chiaroscuro lighting could express visually. Stom's mastery of candlelight effects was among the most technically accomplished of all Caravaggist painters, surpassing many of his contemporaries in the subtlety of his graduated shadows and the warmth of his artificial illumination.

Technical Analysis

The multi-figure composition groups accusers and accused around the central figure of Christ, with the lighting creating a moral geography — Christ illuminated as the source of mercy while the accusers partially retreat into shadow.

See It In Person

Montreal Museum of Fine Arts

Montreal, Canada

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
101.6 × 137.2 cm
Era
Baroque
Style
Dutch Golden Age
Genre
Religious
Location
Montreal Museum of Fine Arts, Montreal
View on museum website →

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Old Woman Praying by Matthias Stom

Old Woman Praying

Matthias Stom·late 1630s or early 1640s

Saint Jerome by Matthias Stom

Saint Jerome

Matthias Stom·1635

Supper at Emmaus by Matthias Stom

Supper at Emmaus

Matthias Stom·1632

The Incredulity of Saint Thomas by Matthias Stom

The Incredulity of Saint Thomas

Matthias Stom·1641

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