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Coronation of Mary by Paolo Veneziano

Coronation of Mary

Paolo Veneziano·1324

Historical Context

This Coronation of the Virgin by Paolo Veneziano, painted around 1324, reflects the distinctive Byzantine-Gothic synthesis of the Venetian school. Paolo Veneziano was the leading painter in early Trecento Venice, bridging the ornamental richness of Byzantine tradition with the emerging naturalism of Italian Gothic art. Now in the National Gallery of Art, Washington, the panel demonstrates Venice's unique position as a cultural crossroads between Eastern and Western artistic traditions.

Technical Analysis

Executed in egg tempera with extensive gold leaf on panel. Paolo Veneziano's style combines the flat, decorative patterning and jewel-like color of Byzantine icons with Gothic linear elegance in the drapery and architectural framing.

See It In Person

National Gallery of Art

Washington, D.C., United States

Visit museum website →

Quick Facts

Medium
Tempera on panel
Dimensions
99 × 78 cm
Era
Gothic
Style
Italian Gothic
Genre
History
Location
National Gallery of Art, Washington, D.C.
View on museum website →

More by Paolo Veneziano

Coronation of the Virgin Polyptych by Paolo Veneziano

Coronation of the Virgin Polyptych

Paolo Veneziano·1330

Due storie di san Nicola di Bari by Paolo Veneziano

Due storie di san Nicola di Bari

Paolo Veneziano·1346

The Annunciation by Paolo Veneziano

The Annunciation

Paolo Veneziano·1349

The Crucifixion by Paolo Veneziano

The Crucifixion

Paolo Veneziano·1340

More from the Gothic Period

Crucifixion by Giotto

Crucifixion

Giotto·1330

Madonna with the Child by Giotto

Madonna with the Child

Giotto·1325

Death of the Virgin by Giotto

Death of the Virgin

Giotto·1310

Madonna and Child of San Giorgio alla Costa by Giotto

Madonna and Child of San Giorgio alla Costa

Giotto·1295