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Beheading of Saint James the Greater. by Bartlomiej Strobel

Beheading of Saint James the Greater.

Bartlomiej Strobel·1640

Historical Context

Bartlomiej Strobel was a Silesian-born painter who worked primarily in Poland and the broader Central European artistic world of the 17th century. The Beheading of Saint James the Greater — Christ's first apostle to be martyred — was a subject of particular relevance for the Jagiellonian-influenced culture of Poland, which had strong Baroque Catholic devotional traditions. Strobel's large-scale religious works reflect the Counter-Reformation piety of the Polish-Lithuanian Commonwealth.

Technical Analysis

The martyr's beheading is rendered with the dramatic directness of Baroque religious narrative, with strong contrasts of light and dark organizing the composition around the central act of execution. Strobel uses broad, emphatic figure handling suited to the large-scale devotional context for which such works were typically destined.

See It In Person

Cathedral Basilica of the Assumption, Pelplin

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Quick Facts

Medium
Oil on canvas
Era
Baroque
Genre
Religious
Location
Cathedral Basilica of the Assumption, Pelplin,
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Feast of Herod with the Beheading of St John the Baptist by Bartlomiej Strobel

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Bartlomiej Strobel·1635

Virgin and Child with Saint Anne by Bartlomiej Strobel

Virgin and Child with Saint Anne

Bartlomiej Strobel·1639

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