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Hunting by Annibale Carracci

Hunting

Annibale Carracci·1585

Historical Context

Annibale Carracci painted this hunting scene around 1585, a pendant to his Fishing, together forming a groundbreaking pair of pure landscape paintings. These works are among the earliest Italian paintings to treat landscape as the primary subject rather than a backdrop for narrative action. The small genre figures are subordinate to the expansive natural setting, anticipating the independent landscape traditions that would flourish in the 17th century.

Technical Analysis

The painting shows Annibale's sensitive observation of natural light and atmospheric effects, with figures integrated into a convincingly rendered rural landscape. The palette of warm greens and earthy tones creates a harmonious, naturalistic vision of the Italian countryside.

Look Closer

  • ◆Notice the sensitive observation of natural light and atmospheric effects, with figures integrated into a convincingly rendered rural landscape.
  • ◆Look at the palette of warm greens and earthy tones creating a harmonious, naturalistic Italian countryside at the Louvre.
  • ◆Observe this pendant to the Fishing scene — together forming a groundbreaking pair among the earliest Italian paintings treating landscape as primary subject.

See It In Person

Department of Paintings of the Louvre

Paris, France

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
136 × 253 cm
Era
Mannerism
Style
Mannerism
Genre
Animal
Location
Department of Paintings of the Louvre, Paris
View on museum website →

More by Annibale Carracci

Saint John the Baptist Bearing Witness by Annibale Carracci

Saint John the Baptist Bearing Witness

Annibale Carracci·ca. 1600

The Coronation of the Virgin by Annibale Carracci

The Coronation of the Virgin

Annibale Carracci·after 1595

Boy Drinking by Annibale Carracci

Boy Drinking

Annibale Carracci·1582–83

River Landscape by Annibale Carracci

River Landscape

Annibale Carracci·c. 1590

More from the Mannerism Period

The Battle of Zama by Cornelis Cort

The Battle of Zama

Cornelis Cort·After 1567

Francesco de' Medici by Alessandro Allori

Francesco de' Medici

Alessandro Allori·c. 1560

Portrait of Don Juan of Austria by Alonso Sánchez Coello

Portrait of Don Juan of Austria

Alonso Sánchez Coello·1559–60

Portrait of a Seated Woman by Antonis Mor

Portrait of a Seated Woman

Antonis Mor·c. 1565