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The Last Supper by Dieric Bouts

The Last Supper

Dieric Bouts·1466

Historical Context

The Last Supper of 1466 is the central panel of the Altarpiece of the Holy Sacrament in Sint-Pieterskerk, Leuven, one of the most important works of Flemish panel painting. Commissioned by the Leuven Confraternity of the Holy Sacrament, the altarpiece uses Old Testament typology in the wings to argue that Christian eucharistic practice fulfills the history of divine nourishment from Abraham through Moses. Bouts renders the Last Supper in a remarkable contemporary Flemish interior, with Christ consecrating the bread while apostles respond with varied expressions of devotion. The architectural precision, still-life detail, and individual physiognomy make this a touchstone of Flemish narrative painting.

Technical Analysis

The Last Supper scene is set within a precisely constructed interior using one-point perspective, Bouts's pioneering spatial system creating a mathematically coherent room that was among the most sophisticated architectural renderings in fifteenth-century Northern European art.

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Quick Facts

Medium
Oil on panel
Dimensions
183 × 152.5 cm
Era
Early Renaissance
Style
Early Netherlandish
Genre
Religious
Location
,
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Virgin and Child by Dieric Bouts

Virgin and Child

Dieric Bouts·ca. 1455–60

Mater Dolorosa (Sorrowing Virgin) by Dieric Bouts

Mater Dolorosa (Sorrowing Virgin)

Dieric Bouts·c. 1490

Portrait of a Man by Dieric Bouts

Portrait of a Man

Dieric Bouts·ca. 1470

The Mourning Virgin; Christ Crowned with Thorns by Dieric Bouts

The Mourning Virgin; Christ Crowned with Thorns

Dieric Bouts·1520

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Cosimo Tura·1475/1500

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Christ Crowned with Thorns by Antonello da Messina (Antonello di Giovanni d'Antonio)

Christ Crowned with Thorns

Antonello da Messina (Antonello di Giovanni d'Antonio)·1450

Saint Peter Martyr Exorcizing a Woman Possessed by a Devil by Antonio Vivarini

Saint Peter Martyr Exorcizing a Woman Possessed by a Devil

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