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Enée chassant le cerf sur la côte de Libye by Claude Lorrain

Enée chassant le cerf sur la côte de Libye

Claude Lorrain·c. 1641

Historical Context

Claude Lorrain's Enée chassant le cerf sur la côte de Libye draws on Virgil's Aeneid, Book I, where Aeneas and his men land in Libya and hunt deer to feed their exhausted crew. Claude treated Virgilian subjects repeatedly throughout his career, and the Aeneid provided him with numerous occasions for the ideal, golden-lit Antique coastal settings in which he specialised. He was living in Rome from the 1620s onwards, surrounded by the remains of Antiquity, and his imaginative reconstructions of the classical Mediterranean landscape fused his close observation of the Roman Campagna with his reading of the ancient poets.

Technical Analysis

Golden afternoon light dissolves the middle ground in characteristic Claudian atmospheric haze, with trees framing the coastal view and figures at human scale introducing the Virgilian narrative.

See It In Person

Royal Museums of Fine Arts of Belgium

Brussels, Belgium

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
112 × 157.5 cm
Era
Baroque
Style
French Baroque
Genre
Mythology
Location
Royal Museums of Fine Arts of Belgium, Brussels
View on museum website →

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View of Delphi with a Procession by Claude Lorrain

View of Delphi with a Procession

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View of La Crescenza by Claude Lorrain (Claude Gellée)

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The Trojan Women Setting Fire to Their Fleet by Claude Lorrain (Claude Gellée)

The Trojan Women Setting Fire to Their Fleet

Claude Lorrain (Claude Gellée)·ca. 1643

Pastoral Landscape: The Roman Campagna by Claude Lorrain (Claude Gellée)

Pastoral Landscape: The Roman Campagna

Claude Lorrain (Claude Gellée)·ca. 1639

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