
Portrait of Lady Selina Meade (1797–1872), half-length, in an ivory satin dress, with the spire of St. Stephen’s Cathedral, Vienna, beyond
Thomas Lawrence·1819
Historical Context
Lawrence painted Lady Selina Meade around 1819, depicting a member of the Anglo-Irish aristocracy during his visit to Vienna for the Waterloo Chamber series. The portrait's setting with the spire of St. Stephen's Cathedral visible in the background documents Lawrence's Viennese sojourn, where he painted numerous members of European high society alongside the commissioned Allied leaders. The Meade family were connected to the Clanwilliam earldom in Ireland. Lawrence's European tour produced some of the finest portraits of his career as he encountered sitters from across the continent.
Technical Analysis
The ivory satin dress is rendered with Lawrence's characteristic mastery of fabric, the cool white tones of the silk creating a striking contrast with the warmer flesh tones. The inclusion of the Vienna cityscape adds topographical interest and locates the portrait within a specific moment in European diplomatic history.
Look Closer
- ◆Notice the spire of St. Stephen's Cathedral visible in the background: this detail documents Lawrence's Viennese sojourn and locates the portrait historically.
- ◆Look at the ivory satin dress: Lawrence renders the cool white silk with brilliant highlights and the subtle play of light across smooth fabric.
- ◆Observe the contrast between the cool dress and the warmer flesh tones: Lawrence creates luminosity through careful temperature contrasts.
- ◆Find the relaxed, charming quality of the face: unlike the formal Waterloo Chamber commissions, this Anglo-Irish aristocrat receives a warmer, more personal treatment.
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