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La robe rayée by Édouard Vuillard

La robe rayée

Édouard Vuillard·1890

Historical Context

La robe rayée (The Striped Dress) takes its title from the dominant visual element of the work — a striped garment worn by a woman in a domestic interior — and exemplifies Vuillard's use of patterned clothing as the pictorial engine of his domestic scenes. The striped dress creates strong linear rhythms across the figure that interact with the surrounding patterns of wallpaper, upholstery, and floor covering, generating the figure-ground competition that defines his intimiste aesthetic. The striped garment was a specific feature of French bourgeois dress in the late nineteenth and early twentieth centuries, documented obsessively by Vuillard as pattern rather than fashion.

Technical Analysis

The vertical stripes of the dress create strong directional lines across the figure that contrast with the more varied patterns of the surrounding room. Vuillard adjusts the stripe's colours subtly across the body's curves, maintaining pattern while acknowledging form. The overall surface integration between striped figure and patterned background is characteristic of his mature domestic work.

See It In Person

Musée d'Orsay

Paris, France

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Quick Facts

Medium
cardboard
Era
Post-Impressionism
Style
Nabis
Genre
Genre
Location
Musée d'Orsay, Paris
View on museum website →

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Arthur Fontaine by Édouard Vuillard

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Self-portrait, face study by Édouard Vuillard

Self-portrait, face study

Édouard Vuillard·1889

Garden at Vaucresson by Édouard Vuillard

Garden at Vaucresson

Édouard Vuillard·1923

More from the Post-Impressionism Period

Rocks and Trees (Rochers et arbres) by Paul Cézanne

Rocks and Trees (Rochers et arbres)

Paul Cézanne·1904

Bathers (Baigneurs) by Paul Cézanne

Bathers (Baigneurs)

Paul Cézanne·1903

Fruit on a Table (Fruits sur la table) by Paul Cézanne

Fruit on a Table (Fruits sur la table)

Paul Cézanne·1891

Gardener (Le Jardinier) by Paul Cézanne

Gardener (Le Jardinier)

Paul Cézanne·1885