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Roussel à la mèche noire by Édouard Vuillard

Roussel à la mèche noire

Édouard Vuillard·1890

Historical Context

Roussel à la mèche noire (Roussel with the Black Lock) is a portrait of Ker-Xavier Roussel, who married Vuillard's sister Marie in 1893 and remained among his closest friends and artistic companions for decades. Roussel, a fellow Nabi painter who developed a distinctive mythological-landscape style after his Nabi period, is identified in the title by a specific physical characteristic — the black lock of hair — making this a personally intimate document rather than a formal commissioned portrait. Vuillard depicted Roussel informally multiple times, and these works record the texture of a sustained creative friendship.

Technical Analysis

The informal portrait is handled with the directness of a work made for personal rather than commercial purposes, the sitter's characteristic feature identified in the title and observed in the painting. The background is relatively simple, allowing the portrait character to assert itself without the elaborate domestic setting of Vuillard's commissioned works.

See It In Person

Musée d'Orsay

Paris, France

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Quick Facts

Medium
pastel
Era
Post-Impressionism
Style
Nabis
Genre
Portrait
Location
Musée d'Orsay, Paris
View on museum website →

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Self-portrait, face study by Édouard Vuillard

Self-portrait, face study

Édouard Vuillard·1889

Garden at Vaucresson by Édouard Vuillard

Garden at Vaucresson

Édouard Vuillard·1923

More from the Post-Impressionism Period

Rocks and Trees (Rochers et arbres) by Paul Cézanne

Rocks and Trees (Rochers et arbres)

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Paul Cézanne·1903

Fruit on a Table (Fruits sur la table) by Paul Cézanne

Fruit on a Table (Fruits sur la table)

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Gardener (Le Jardinier) by Paul Cézanne

Gardener (Le Jardinier)

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