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Enos (Rosso, Lotto) by Lorenzo Lotto

Enos (Rosso, Lotto)

Lorenzo Lotto·c. 1518

Historical Context

Enos by Lotto, part of the intarsia panel designs for Santa Maria Maggiore in Bergamo, depicts one of the antediluvian patriarchs from the Book of Genesis. These Old Testament subjects allowed Lotto to exercise his narrative imagination on a grand scale, creating a comprehensive visual bible for the church’s choir. Characteristic of the artist's mature approach, the work displays nervous, charged atmosphere in portraits, symbolic objects placed with enigmatic purpose, eclectic absorption of influences from Germany, Raphael, and Giorgione, restless spatial invention.

Technical Analysis

The patriarchal figure is rendered with Lotto’s characteristic combination of bold coloring and expressive gesture. The intarsia design format required clear, strong compositions readable at a distance.

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Quick Facts

Medium
Oil on canvas
Dimensions
43 × 44.2 cm
Era
High Renaissance
Style
High Renaissance
Genre
Religious
Location
,
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More by Lorenzo Lotto

Brother Gregorio Belo of Vicenza by Lorenzo Lotto

Brother Gregorio Belo of Vicenza

Lorenzo Lotto·1547

Portrait of a Man, Possibly Girolamo Rosati by Lorenzo Lotto

Portrait of a Man, Possibly Girolamo Rosati

Lorenzo Lotto·1533–34

Saint Catherine by Lorenzo Lotto

Saint Catherine

Lorenzo Lotto·1522

Allegory of Chastity by Lorenzo Lotto

Allegory of Chastity

Lorenzo Lotto·c. 1505

More from the High Renaissance Period

Head of Saint John the Baptist on a Charger by Aelbert Bouts

Head of Saint John the Baptist on a Charger

Aelbert Bouts·ca. 1500

Lucrezia di Lippo di Iacopo Guidi by Andrea del Sarto

Lucrezia di Lippo di Iacopo Guidi

Andrea del Sarto·1525–28

Domenico da Gambassi by Andrea del Sarto

Domenico da Gambassi

Andrea del Sarto·1525–28

Virgin and Child with the Young Saint John the Baptist by Antonio da Correggio

Virgin and Child with the Young Saint John the Baptist

Antonio da Correggio·c. 1515