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Sacrificio di Caino e Abele by Lorenzo Lotto

Sacrificio di Caino e Abele

Lorenzo Lotto·1524

Historical Context

This panel depicting the Sacrifice of Cain and Abel was painted by Lorenzo Lotto in 1524 as part of a series of Old Testament scenes created as intarsia designs for the wooden choir stalls of Santa Maria Maggiore in Bergamo. Lotto spent over a decade designing these remarkable marquetry panels, which rank among the most ambitious inlaid wood projects of the Renaissance. The scene captures the pivotal moment when God accepts Abel's offering while rejecting Cain's, foreshadowing the first murder. These designs demonstrate Lotto's narrative inventiveness and his ability to create powerful compositions adapted to the demanding constraints of wood inlay technique.

Technical Analysis

Lotto designed this composition with bold, simplified forms and strong contrasts suited to translation into wooden intarsia. The figures are rendered with dramatic gestures and clear silhouettes, while the landscape backdrop provides spatial depth through layered planes.

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Private collection

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Quick Facts

Medium
Oil on wood
Dimensions
41.3 × 43.5 cm
Era
High Renaissance
Style
High Renaissance
Genre
Religious
Location
Private collection,
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Brother Gregorio Belo of Vicenza by Lorenzo Lotto

Brother Gregorio Belo of Vicenza

Lorenzo Lotto·1547

Portrait of a Man, Possibly Girolamo Rosati by Lorenzo Lotto

Portrait of a Man, Possibly Girolamo Rosati

Lorenzo Lotto·1533–34

Saint Catherine by Lorenzo Lotto

Saint Catherine

Lorenzo Lotto·1522

Allegory of Chastity by Lorenzo Lotto

Allegory of Chastity

Lorenzo Lotto·c. 1505

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Aelbert Bouts·ca. 1500

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Lucrezia di Lippo di Iacopo Guidi

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Domenico da Gambassi

Andrea del Sarto·1525–28

Virgin and Child with the Young Saint John the Baptist by Antonio da Correggio

Virgin and Child with the Young Saint John the Baptist

Antonio da Correggio·c. 1515