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La pietà, angeli e il committente Giovanni da Ethinl by Simone dei Crocifissi

La pietà, angeli e il committente Giovanni da Ethinl

Simone dei Crocifissi·1368

Historical Context

Simone dei Crocifissi was the leading painter of fourteenth-century Bologna, named for his frequent depictions of the Crucifixion. This Pietà with Angels and the Donor Giovanni da Ethinl at the Davia Bargellini Museum combines the devotional image of the dead Christ with donor portraiture, a format that allowed patrons to insert themselves into sacred narrative as perpetual supplicants. Bologna's artistic culture in this period was shaped by its university, the papal legate's court, and powerful confraternities.

Technical Analysis

Executed in egg tempera on gold ground panel, the composition places the Pietà group centrally with flanking angels and the kneeling donor at reduced scale. Simone's style blends Bolognese expressiveness with influences from both Florentine and Emilian painting traditions.

See It In Person

Davia Bargellini Museum

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Quick Facts

Medium
Tempera on panel
Era
Gothic
Style
Italian Gothic
Genre
Religious
Location
Davia Bargellini Museum,
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More by Simone dei Crocifissi

Nativity of Christ by Simone dei Crocifissi

Nativity of Christ

Simone dei Crocifissi·1380

Madonna and Child with St. John the Baptist and St. Mary Magdelene by Simone dei Crocifissi

Madonna and Child with St. John the Baptist and St. Mary Magdelene

Simone dei Crocifissi·1360

The Coronation of the Virgin by Simone dei Crocifissi

The Coronation of the Virgin

Simone dei Crocifissi·1380

Dream of the Virgin by Simone dei Crocifissi

Dream of the Virgin

Simone dei Crocifissi·1365

More from the Gothic Period

Crucifixion by Giotto

Crucifixion

Giotto·1330

Madonna with the Child by Giotto

Madonna with the Child

Giotto·1325

Death of the Virgin by Giotto

Death of the Virgin

Giotto·1310

Madonna and Child of San Giorgio alla Costa by Giotto

Madonna and Child of San Giorgio alla Costa

Giotto·1295