
The Seven Sorrows of the Virgin: The Flight into Egypt
Albrecht Dürer·1496
Historical Context
The Seven Sorrows of the Virgin: The Flight into Egypt, one of the seven panels depicting the Virgin's sorrows that Dürer painted around 1496, shows the Holy Family's journey to Egypt following the Massacre of the Innocents. The devotional series combined the narrative drama of the Flight with the theological meaning of the seven sorrows as stations of compassionate meditation. Dürer's landscape setting — the characteristic mountain scenery of his native Franconia transformed by his engagement with Italian landscape conventions — creates a specifically northern setting for the universal story. The work demonstrates his ability to balance narrative clarity with emotional depth in the devotional format that was the primary vehicle for popular religious engagement in late medieval Germany.
Technical Analysis
The landscape through which the Holy Family travels is rendered with Dürer's characteristic botanical and geological precision, each tree and rock observed from nature with an intensity that elevates the background into a primary subject.


![Madonna and Child [obverse] by Albrecht Dürer](https://commons.wikimedia.org/w/index.php?title=Special:Redirect/file/Durer%2C_vergine_della_pera.jpg&width=600)
![Lot and His Daughters [reverse] by Albrecht Dürer](https://commons.wikimedia.org/w/index.php?title=Special:Redirect/file/Albrecht_D%C3%BCrer_-_Lot_und_seine_T%C3%B6chter_(NGA).jpg&width=600)



