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Annunciation by Hans Pleydenwurff

Annunciation

Hans Pleydenwurff·1457

Historical Context

Hans Pleydenwurff created this work around 1457, now in Nuremberg's Germanisches Nationalmuseum. The Annunciation was one of the most frequently depicted scenes in Renaissance art, symbolizing the moment of the Incarnation and the beginning of human salvation. The Early Renaissance period saw significant artistic innovation across Europe, with painters developing new techniques for representing the visible world with unprecedented naturalism and spatial coherence.

Technical Analysis

The artist employs the conventional division of the composition between the angel and the Virgin, using gesture, gaze, and the fall of light to convey the drama of the divine message.

See It In Person

Germanisches Nationalmuseum

Nuremberg, Germany

Visit museum website →

Quick Facts

Medium
Tempera on panel
Dimensions
150 × 71.4 cm
Era
Early Renaissance
Style
Northern Renaissance
Genre
Religious
Location
Germanisches Nationalmuseum, Nuremberg
View on museum website →

More by Hans Pleydenwurff

Adoration of the Magi by Hans Pleydenwurff

Adoration of the Magi

Hans Pleydenwurff·1457

Canon Count Georg of Lowenstein by Hans Pleydenwurff

Canon Count Georg of Lowenstein

Hans Pleydenwurff·1456

Calvary by Hans Pleydenwurff

Calvary

Hans Pleydenwurff·1456

Mary and Joseph by Hans Pleydenwurff

Mary and Joseph

Hans Pleydenwurff·1462

More from the Early Renaissance Period

Pietà by Cosimo Tura

Pietà

Cosimo Tura·1475/1500

Virgin and Child by Giovanni Bellini

Virgin and Child

Giovanni Bellini·16th century or later

Christ Crowned with Thorns by Antonello da Messina (Antonello di Giovanni d'Antonio)

Christ Crowned with Thorns

Antonello da Messina (Antonello di Giovanni d'Antonio)·1450

Saint Peter Martyr Exorcizing a Woman Possessed by a Devil by Antonio Vivarini

Saint Peter Martyr Exorcizing a Woman Possessed by a Devil

Antonio Vivarini·c. 1450