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David with the Head of Goliath by Guido Reni

David with the Head of Goliath

Guido Reni·1605

Historical Context

David with the Head of Goliath by Guido Reni, at the Uffizi, presents the young hero in the idealized classical manner that made Reni the Bolognese rival to Caravaggio's naturalism. Where Caravaggio's David was a street boy from the Roman slums, Reni's is a figure of classical beauty. Guido Reni's refined classicism and ethereal beauty made him one of the most celebrated painters in Europe during his lifetime, his graceful idealized figures expressing a spirituality that appealed equally to Counter-Reformation piety and aristocratic aesthetic sensibility.

Technical Analysis

Reni's smooth, idealized flesh painting and elegant drawing create an image of refined beauty. The severed head is treated with more restraint than in Caravaggio's versions, the horror sublimated into classical harmony. The palette is characteristically cool and silvery.

See It In Person

Uffizi Gallery

Florence, Italy

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
222 × 147 cm
Era
Baroque
Style
Italian Baroque
Genre
Portrait
Location
Uffizi Gallery, Florence
View on museum website →

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The Immaculate Conception by Guido Reni

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Adoration of the Magi by Guido Reni

Adoration of the Magi

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Martyrdom of Saint Andrew by Guido Reni

Martyrdom of Saint Andrew

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Jupiter Rebuked by Venus by Abraham Janssens

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