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The Mother of God Enthroned by Andreas Ritzos

The Mother of God Enthroned

Andreas Ritzos·1470

Historical Context

Ritzos's enthroned Mother of God belongs to the Hodegitria type — Mary seated on a throne, presenting the Christ Child frontally as if offering him to the viewer for veneration — which was the most prestigious and copied of all Byzantine icon types, supposedly derived from a portrait painted from life by Saint Luke. The enthroned Theotokos was a major commission type for wealthy Orthodox patrons in Crete and Venice, and Ritzos produced multiple versions across his long career. The differences between versions reflect both patron specifications and Ritzos's own ongoing refinement of the type.

Technical Analysis

Ritzos constructs the throne as an elaborate architectural structure with decorative intarsia-like panels, a western influence on the traditional Byzantine icon format that reflects the Venetian commercial context in which he worked. The gold leaf ground is burnished to a high reflective finish, and the drapery lines are incised and gilded in the Byzantine chrysography technique.

See It In Person

Monastery of Saint John the Theologian

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Quick Facts

Medium
Tempera on panel
Dimensions
164 × 92 cm
Era
Early Renaissance
Style
Early Renaissance
Genre
Mythology
Location
Monastery of Saint John the Theologian,
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The Mother of God of Passion by Andreas Ritzos

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Mother of God Enthroned by Andreas Ritzos

Mother of God Enthroned

Andreas Ritzos·1485

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