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Adoration of the Magi by Dieric Bouts

Adoration of the Magi

Dieric Bouts·1445

Historical Context

This Adoration of the Magi at the Museo del Prado, dating to around 1445, is among Bouts's earliest known works and already demonstrates the formal language he would develop across three following decades. The Three Kings' visit—combining the Nativity's intimacy with the pageantry of exotic costumes and gifts—offered young Bouts opportunity for the detailed observation of fabric, jewelry, and physiognomic variety at which Flemish painting excelled. The Prado's holding of early Bouts works alongside the much later Granada commissions allows comparison of his artistic development across a career spanning the most productive period in Netherlandish art history.

Technical Analysis

The Magi's rich costumes and golden gifts are rendered with Bouts's meticulous attention to material textures, the oil technique creating luminous effects on metalwork, silk, and fur.

See It In Person

Museo del Prado

Madrid, Spain

Visit museum website →

Quick Facts

Medium
Oil on panel
Dimensions
80 × 56 cm
Era
Early Renaissance
Style
Early Netherlandish
Genre
Religious
Location
Museo del Prado, Madrid
View on museum website →

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Virgin and Child by Dieric Bouts

Virgin and Child

Dieric Bouts·ca. 1455–60

Mater Dolorosa (Sorrowing Virgin) by Dieric Bouts

Mater Dolorosa (Sorrowing Virgin)

Dieric Bouts·c. 1490

Portrait of a Man by Dieric Bouts

Portrait of a Man

Dieric Bouts·ca. 1470

The Mourning Virgin; Christ Crowned with Thorns by Dieric Bouts

The Mourning Virgin; Christ Crowned with Thorns

Dieric Bouts·1520

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Saint Peter Martyr Exorcizing a Woman Possessed by a Devil by Antonio Vivarini

Saint Peter Martyr Exorcizing a Woman Possessed by a Devil

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