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The Death of Tatius by Anne-Louis Girodet

The Death of Tatius

Anne-Louis Girodet·1788

Historical Context

Anne-Louis Girodet painted The Death of Tatius around 1788, a historical subject from the early Roman tradition depicting the assassination of Romulus's Sabine co-king. The early painting demonstrates his command of classical figure composition within the Davidian tradition of Neoclassical history painting before the more personal, romantic direction of his mature style had fully emerged. The violent subject — the armed assassination of a ruler — was standard academic material for demonstrating competence in the dramatic multi-figure action composition, and Girodet's treatment shows both the competence of his training and the early signs of the theatrical intensity that would characterize his more original later work.

Technical Analysis

Girodet arranges the violent scene with Neoclassical clarity, using strong diagonals and dramatic contrasts of light and shadow. The sculptural modeling of the figures and the precise architectural setting show the influence of David's teaching.

See It In Person

Musée des Beaux-Arts d'Angers

Angers, France

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Quick Facts

Medium
Oil paint
Dimensions
113.5 × 147 cm
Era
Neoclassicism
Style
French Neoclassicism
Genre
History
Location
Musée des Beaux-Arts d'Angers, Angers
View on museum website →

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Mademoiselle Lange as Venus by Anne-Louis Girodet

Mademoiselle Lange as Venus

Anne-Louis Girodet·1798

Jean-Baptiste Belley, member of the National Convention by Anne-Louis Girodet

Jean-Baptiste Belley, member of the National Convention

Anne-Louis Girodet·1797

Coriolanus Taking Leave of his Family by Anne-Louis Girodet

Coriolanus Taking Leave of his Family

Anne-Louis Girodet·1786

Portrait of Mlle. Lange as Danaë by Anne-Louis Girodet

Portrait of Mlle. Lange as Danaë

Anne-Louis Girodet·1799

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