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Konzertstudie by Wilhelm Leibl

Konzertstudie

Wilhelm Leibl·1870

Historical Context

Konzertstudie (Concert Study) belongs to Leibl's interest in musical subjects, connecting him to the long tradition of genre painting in which music-making in domestic or intimate settings served as a subject for the depiction of refined sensibility and social cohesion. Musical subjects appear throughout his career, from his Munich period through his rural work, and they allowed him to paint figures in natural, unselfconscious poses — the absorption of the musician in performance providing the quality of unaware presence he sought in all his subjects.

Technical Analysis

A musical study places emphasis on the hands holding an instrument and the figure's absorption in sound, with the face often in partial profile or downward gaze. Leibl renders the instrument with technical accuracy — its wood grain, string or key detail — while keeping the architectural background summary.

See It In Person

Wallraf–Richartz Museum

Cologne, Germany

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Quick Facts

Medium
panel
Era
Impressionism
Style
British Impressionism
Genre
Genre
Location
Wallraf–Richartz Museum, Cologne
View on museum website →

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Wilhelm Leibl·1879

Portrait of a boy with a large ruff by Wilhelm Leibl

Portrait of a boy with a large ruff

Wilhelm Leibl·1869

Bildnis Ernst Schoenlin (?) by Wilhelm Leibl

Bildnis Ernst Schoenlin (?)

Wilhelm Leibl·1866

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