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Martyrdom of St Sebastian by Benozzo Gozzoli

Martyrdom of St Sebastian

Benozzo Gozzoli·1465

Historical Context

This religious painting from 1465 by Benozzo Gozzoli reflects the fifteenth-century approach to sacred subjects, balancing theological orthodoxy with artistic innovation. Painted during the flourishing of the Early Renaissance, the work draws on centuries of iconographic tradition while expressing Benozzo Gozzoli's individual interpretation of the divine narrative. Created during the mature phase of the Early Renaissance, this work reflects a period when humanist learning and renewed interest in classical antiquity were reshaping artistic ambition across Europe.

Technical Analysis

Tempera technique, reflecting earlier traditions, the religious composition demonstrates Benozzo Gozzoli's landscape depth and narrative profusion in service of sacred narrative. The figural arrangement draws on established iconographic tradition while the handling of light and color creates emotional resonance.

See It In Person

Collegiate Church of San Gimignano

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Quick Facts

Medium
Tempera on panel
Dimensions
525 × 378 cm
Era
Early Renaissance
Style
Early Renaissance
Genre
Religious
Location
Collegiate Church of San Gimignano,
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Saints Nicholas of Tolentino, Roch, Sebastian, and Bernardino of Siena, with Kneeling Donors by Benozzo Gozzoli (Benozzo di Lese di Sandro)

Saints Nicholas of Tolentino, Roch, Sebastian, and Bernardino of Siena, with Kneeling Donors

Benozzo Gozzoli (Benozzo di Lese di Sandro)·1481

Totila before Saint Benedict by Benozzo Gozzoli (Benozzo di Lese di Sandro)

Totila before Saint Benedict

Benozzo Gozzoli (Benozzo di Lese di Sandro)·1440

Saint Peter and Simon Magus by Benozzo Gozzoli (Benozzo di Lese di Sandro)

Saint Peter and Simon Magus

Benozzo Gozzoli (Benozzo di Lese di Sandro)·1440

Saint Ursula with Two Angels and Donor by Benozzo Gozzoli

Saint Ursula with Two Angels and Donor

Benozzo Gozzoli·c. 1455/1460

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