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The Departure of St Jerome from Antioch by Benozzo Gozzoli

The Departure of St Jerome from Antioch

Benozzo Gozzoli·1452

Historical Context

The Departure of St Jerome from Antioch, at the Museum Complex of San Francesco in Montefalco, depicts the scholar saint leaving the city for the desert—an episode connecting Jerome's early life in Antioch to his later years as a hermit and translator of the Bible. The Montefalco cycle includes narrative episodes beyond the strictly Franciscan legend, expanding into the wider calendar of saints venerated by the Franciscan order. Gozzoli's treatment of the departure scene gives him an occasion for the kind of procession with detailed costumes and landscape backdrop that he handled with particular skill.

Technical Analysis

The composition is structured as a procession moving through or out of a city gate, with Gozzoli using the architectural frame of the gate to create a pictorial threshold between urban and wilderness settings. The detailed treatment of the city's architecture and the surrounding figures' varied costumes shows the influence of both Fra Angelico's orderly narrative compositions and Ghiberti's densely populated reliefs.

See It In Person

Museum Complex of San Francesco (Montefalco)

Montefalco, Italy

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Quick Facts

Medium
Tempera on panel
Era
Early Renaissance
Style
Early Renaissance
Genre
Religious
Location
Museum Complex of San Francesco (Montefalco), Montefalco
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Saints Nicholas of Tolentino, Roch, Sebastian, and Bernardino of Siena, with Kneeling Donors

Benozzo Gozzoli (Benozzo di Lese di Sandro)·1481

Totila before Saint Benedict by Benozzo Gozzoli (Benozzo di Lese di Sandro)

Totila before Saint Benedict

Benozzo Gozzoli (Benozzo di Lese di Sandro)·1440

Saint Peter and Simon Magus by Benozzo Gozzoli (Benozzo di Lese di Sandro)

Saint Peter and Simon Magus

Benozzo Gozzoli (Benozzo di Lese di Sandro)·1440

Saint Ursula with Two Angels and Donor by Benozzo Gozzoli

Saint Ursula with Two Angels and Donor

Benozzo Gozzoli·c. 1455/1460

More from the Early Renaissance Period

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Pietà

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Christ Crowned with Thorns by Antonello da Messina (Antonello di Giovanni d'Antonio)

Christ Crowned with Thorns

Antonello da Messina (Antonello di Giovanni d'Antonio)·1450

Saint Peter Martyr Exorcizing a Woman Possessed by a Devil by Antonio Vivarini

Saint Peter Martyr Exorcizing a Woman Possessed by a Devil

Antonio Vivarini·c. 1450