_-_WGA10310.jpg&width=1200)
St Augustine's Vision of St Jerome (scene 16, east wall)
Benozzo Gozzoli·1464
Historical Context
This religious painting from 1464 by Benozzo Gozzoli reflects the enduring importance of religious painting in the Early Renaissance. As the Florentine painter whose festive frescoes in the Medici chapel epitomize the splendor of the Early Renaissance, Benozzo Gozzoli brings narrative profusion to the sacred narrative, creating a work that served both devotional and artistic purposes in fifteenth-century Italian culture. The mid-fifteenth century saw painting achieve new levels of naturalistic conviction, as artists competed to render space, light, and human expression with unprecedented accuracy.
Technical Analysis
Tempera technique, reflecting earlier traditions, the religious composition demonstrates Benozzo Gozzoli's narrative profusion and vivid coloring in service of sacred narrative. The figural arrangement draws on established iconographic tradition while the handling of light and color creates emotional resonance.
See It In Person
More by Benozzo Gozzoli (Benozzo di Lese di Sandro)

Saints Nicholas of Tolentino, Roch, Sebastian, and Bernardino of Siena, with Kneeling Donors
Benozzo Gozzoli (Benozzo di Lese di Sandro)·1481

Totila before Saint Benedict
Benozzo Gozzoli (Benozzo di Lese di Sandro)·1440

Saint Peter and Simon Magus
Benozzo Gozzoli (Benozzo di Lese di Sandro)·1440

Saint Ursula with Two Angels and Donor
Benozzo Gozzoli·c. 1455/1460



