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san girolamo by Bernardo Zenale

san girolamo

Bernardo Zenale·1505

Historical Context

Bernardo Zenale painted this Saint Jerome around 1505 for the Museo Poldi Pezzoli in Milan. Zenale was one of the leading Milanese painters before Leonardo's arrival transformed the city's artistic culture, and his later work shows the struggle to incorporate Leonardesque innovations into his more traditional Lombard style. The tempera medium required careful preparation on a gessoed panel and a disciplined layering technique that produced precise, durable surfaces suited to the intricate detail expected of devotional painting.

Technical Analysis

The panel demonstrates Zenale's characteristic angular figure style with firm contour drawing, showing the influence of the older Lombard tradition alongside traces of the sfumato modeling that Leonardo brought to Milan.

See It In Person

Museo Poldi Pezzoli

Milan, Italy

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Quick Facts

Medium
Tempera on panel
Era
High Renaissance
Style
High Renaissance
Genre
Religious
Location
Museo Poldi Pezzoli, Milan
View on museum website →

More by Bernardo Zenale

Pietà by Bernardo Zenale

Pietà

Bernardo Zenale·1450

Madonna and Saints by Bernardo Zenale

Madonna and Saints

Bernardo Zenale·1490

Deposition of Christ by Bernardo Zenale

Deposition of Christ

Bernardo Zenale·1509

Circumcision with Fra Jacopo Lampugnani as a Donor by Bernardo Zenale

Circumcision with Fra Jacopo Lampugnani as a Donor

Bernardo Zenale·1500

More from the High Renaissance Period

Head of Saint John the Baptist on a Charger by Aelbert Bouts

Head of Saint John the Baptist on a Charger

Aelbert Bouts·ca. 1500

Lucrezia di Lippo di Iacopo Guidi by Andrea del Sarto

Lucrezia di Lippo di Iacopo Guidi

Andrea del Sarto·1525–28

Domenico da Gambassi by Andrea del Sarto

Domenico da Gambassi

Andrea del Sarto·1525–28

Virgin and Child with the Young Saint John the Baptist by Antonio da Correggio

Virgin and Child with the Young Saint John the Baptist

Antonio da Correggio·c. 1515