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Colonel Auguste-Frederic-Bon-Amour, marquis de Talhouët by Horace Vernet

Colonel Auguste-Frederic-Bon-Amour, marquis de Talhouët

Horace Vernet·1818

Historical Context

This 1818 portrait of Colonel Auguste-Frédéric, Marquis de Talhouët, captures a French military officer during the early Restoration period following Napoleon's final defeat. Vernet was already establishing himself as the premier painter of French military subjects, a reputation that would sustain a decades-long career. The portrait reflects the complex politics of post-Napoleonic France, where former imperial officers navigated the restored Bourbon monarchy.

Technical Analysis

The military portrait demonstrates Vernet's precise rendering of uniforms and decorations, combining meticulous attention to military regalia with a robust characterization of the sitter. The confident brushwork and warm tonality reflect his early mature style before the North African campaigns broadened his palette.

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Quick Facts

Medium
Oil paint
Era
Neoclassicism
Style
French Neoclassicism
Genre
Portrait
Location
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Portrait of a "Mamelouk" by Horace Vernet

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Arab Warrior by Horace Vernet

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Bertel Thorvaldsen (1768–1844) with the Bust of Horace Vernet by Horace Vernet

Bertel Thorvaldsen (1768–1844) with the Bust of Horace Vernet

Horace Vernet·1833 or later

Self-Portrait in Rome by Horace Vernet

Self-Portrait in Rome

Horace Vernet·1832

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