Portrait of Philip II, Duke of Savoy (1438-1497), bust-length, in armour

Executed in 1497, this portrait exemplifies the portrait tradition that Macrino d'Alba contributed to within the High Renaissance. Painted during the flourishing of the Early Renaissance, the work balances individual likeness with the idealized presentation expected by fifteenth-century patrons. The late fifteenth century saw the rise of great court cultures in Milan, Urbino, and Burgundy, whose princely patrons demanded art of the highest sophistication and learning.

Tempera technique, reflecting earlier traditions, the portrait demonstrates Macrino d'Alba's command of skilled technique and careful observation. The careful modeling of the face reveals close study of the sitter's physiognomy, while the treatment of costume and setting projects appropriate social standing.