Triptych with the Deposition from the Cross by Dieric Bouts (Granada)

This Triptych with the Deposition at the Royal Chapel of Granada, dating to around 1450, is among several Bouts works in Spanish royal collections, reflecting the sustained Flemish artistic influence on Castilian court piety. The Deposition—Christ's body lowered from the cross into the Virgin's arms—was among the most emotionally charged subjects in Christian art, its composition shaped by Rogier van der Weyden's definitive Louvain treatment. Bouts's version brings his characteristic restraint to the subject's inherent grief. The Royal Chapel of Granada served as the burial church of Ferdinand and Isabella, and its art collection documents the visual culture of Spain's most decisive late-medieval monarchs.

The triptych format frames the central Deposition with flanking narrative or devotional panels, the multi-panel structure demonstrating Bouts's ability to create coherent visual programs across related compositions.