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Stadtende (Häuserbogen III)
Egon Schiele·1918
Historical Context
Stadtende (Häuserbogen III) — literally 'Town's End (Row of Houses III)' — was painted in 1918 and is held by the Universalmuseum Joanneum in Graz (Neue Galerie). The subject of a town's edge, where buildings give way to countryside, introduces a new spatial element into Schiele's townscape vocabulary: the threshold between built and unbuilt space. In his earlier Dead City paintings, the town was sealed and total, filling the canvas without margin or edge. By 1918, this spatial openness reflects a broader maturation of approach. The Joanneum's Neue Galerie in Graz developed important Schiele holdings through the early twentieth century, positioned as an important regional institution for Styrian and broader Austrian art. The late townscape series of 1918 — Mödling, Stadtende, and related works — represents Schiele's final engagement with architectural subjects, cut short by his death at twenty-eight in October of that year.
Technical Analysis
Oil on canvas shows the 1918 townscape style with its slightly more open spatial handling compared to the compressed Dead City works. The row of houses creates a horizontal band across the canvas, with more open sky or field visible at top and bottom than in the earlier series.
Look Closer
- ◆The composition emphasises horizontality — the house row is a band rather than a mass filling the entire canvas
- ◆Open space above and below the building row creates breathing room absent from the early Dead City paintings
- ◆Individual house facades show varied colour and window patterns, the architectural diversity rendering the row as community rather than monolith
- ◆The title 'Häuserbogen' (arc of houses) hints at the slight curve Schiele perceives in the row — a subtle formal note in the composition


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