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St Mary Magdalene in Ecstasy by Peter Paul Rubens

St Mary Magdalene in Ecstasy

Peter Paul Rubens·1620

Historical Context

Rubens painted Saint Mary Magdalene in Ecstasy around 1619-20, depicting the repentant saint in a state of mystical rapture. The Magdalene, as the archetypal repentant sinner, was one of the Counter-Reformation's most important subjects, embodying the Church's message that even the greatest sinners could achieve salvation through faith and penance. Rubens's sensuous treatment of the saint's beauty and ecstatic gesture creates a characteristically Baroque fusion of physical and spiritual experience. Now in the Palais des Beaux-Arts de Lille.

Technical Analysis

The composition focuses on the Magdalene's upturned face and bare shoulders, lit by a dramatic supernatural light. Rubens' warm flesh tones and fluid brushwork create a powerful image of spiritual ecstasy expressed through physical beauty.

Look Closer

  • ◆Mary Magdalene swoons in spiritual ecstasy, her body going limp as she is supported by attending angels
  • ◆Her unbound hair and exposed shoulders reference her identity as the repentant sinner, while her ecstatic state shows her spiritual transformation
  • ◆Angels lift her gaze toward heaven, guiding the viewer's eye upward through the composition
  • ◆The contrast between Magdalene's luminous flesh and the dark surrounding space creates a spotlight effect on the central figure

Condition & Conservation

This painting of the Magdalene's ecstasy from 1620 has been conserved with attention to the central contrast between the luminous female figure and the dark background. The canvas has been relined. The dramatic chiaroscuro effects remain powerful after conservation.

See It In Person

Palais des Beaux-Arts de Lille

Lille, France

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
295 × 220 cm
Era
Baroque
Style
Flemish Baroque
Genre
Religious
Location
Palais des Beaux-Arts de Lille, Lille
View on museum website →

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