Madonna Standing
Historical Context
Rogier van der Weyden's Madonna Standing, dating to around 1430, represents the artist's early treatment of the Virgin and Child theme that he would revisit throughout his career. Now in the Kunsthistorisches Museum, Vienna, the work shows the influence of his presumed teacher Robert Campin combined with Rogier's distinctive emotional sensitivity. The standing Madonna format was relatively unusual and lends the composition a monumental, sculptural quality.
Technical Analysis
Rogier's early technique shows precise linear draftsmanship with carefully modeled drapery folds, a refined color sense emphasizing deep reds and blues, and the expressive figure poses that would become his signature.
See It In Person
More by Rogier van der Weyden
Portrait of Jean Gros (recto); Coat of Arms of Jean Gros (verso)
Rogier van der Weyden·1460–64
Virgin and Child
Rogier van der Weyden·1454
Virgin and Child
Follower of Rogier van der Weyden (Master of the Saint Ursula Legend Group, Netherlandish, active late 15th century)·ca. 1480–90
The Holy Family with Saint Paul and a Donor
Rogier van der Weyden·1430
