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Self-portrait by Jan Steen

Self-portrait

Jan Steen·1670

Historical Context

Jan Steen's self-portrait from around 1670 is one of several in which he depicted himself with characteristic wit and self-awareness. Steen was known in his own time as much for his raucous sense of humour as for his undeniable technical skill, and his self-portraits often carry an element of role-playing or ironic self-presentation. By 1670 he was settled in Leiden, where he would live until his death in 1679, and his art had reached full maturity — a blend of moralising narrative, comic theatre, and meticulous observation. The self-portrait asserts his status as a serious artist even as it preserves his characteristically knowing tone.

Technical Analysis

Steen presents himself in relaxed, informal pose rather than the formal three-quarter stance of official portraiture. The handling is confident and somewhat loose, with warm flesh tones built up from a reddish-brown ground. His expression communicates the lively intelligence that characterises his best figure work.

See It In Person

Rijksmuseum

Amsterdam, Netherlands

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Quick Facts

Medium
Oil on canvas
Era
Baroque
Genre
Portrait
Location
Rijksmuseum, Amsterdam
View on museum website →

More by Jan Steen

The Family Concert by Jan Steen

The Family Concert

Jan Steen·1666

Merry Company on a Terrace by Jan Steen

Merry Company on a Terrace

Jan Steen·ca. 1670

The Dissolute Household by Jan Steen

The Dissolute Household

Jan Steen·ca. 1663–64

The Lovesick Maiden by Jan Steen

The Lovesick Maiden

Jan Steen·ca. 1660

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The Vision of Saint Francis by Lodovico Carracci

The Vision of Saint Francis

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Jupiter Rebuked by Venus by Abraham Janssens

Jupiter Rebuked by Venus

Abraham Janssens·c. 1612