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Meisje aan de piano by Jacob Maris

Meisje aan de piano

Jacob Maris·1889

Historical Context

Painted in 1889, Meisje aan de piano is a work by Jacob Maris, now in the collection of Rijksmuseum, that reflects the artistic concerns of the late 19th century — an era of fundamental transformation in both the methods and purposes of European and American painting. Jacob Maris was the eldest and perhaps the most formally ambitious of the three Maris brothers who were central figures of the Hague School. While his brothers Willem and Matthijs each developed distinct specialties, Jacob focused on the traditional Dutch subjects of city canals, windmills, and coastal scenes, interpreting them with a dramatic tonal power that drew on both Rembrandt and the Barbizon masters.

Technical Analysis

Jacob Maris built his cityscapes and landscapes with assured, varied brushwork that captures the movement of Dutch skies and water with great economy. His palette is characteristically dark and tonal — deep grays, warm blacks.

See It In Person

Rijksmuseum

Amsterdam, Netherlands

Visit museum website →

Quick Facts

Medium
Oil on canvas
Era
Impressionism
Style
Impressionism
Genre
Genre
Location
Rijksmuseum, Amsterdam
View on museum website →

More by Jacob Maris

Portrait of Willem by Jacob Maris

Portrait of Willem

Jacob Maris·1876

View of the Mill and Bridge on the Noordwest Buitensingel in The Hague by Jacob Maris

View of the Mill and Bridge on the Noordwest Buitensingel in The Hague

Jacob Maris·1873

The wooden bridge by Jacob Maris

The wooden bridge

Jacob Maris·1877

Boy and girl drinking in the open air by Jacob Maris

Boy and girl drinking in the open air

Jacob Maris·1877

More from the Impressionism Period

Michel Monet with a Pompon by Claude Monet

Michel Monet with a Pompon

Claude Monet·1880

Wind Effect, Row of Poplars by Claude Monet

Wind Effect, Row of Poplars

Claude Monet·1891

Rouen Cathedral by Claude Monet

Rouen Cathedral

Claude Monet·1893

Carrières-Saint-Denis by Claude Monet

Carrières-Saint-Denis

Claude Monet·1872