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Apotheosis of Delacroix by Paul Cézanne

Apotheosis of Delacroix

Paul Cézanne·1890

Historical Context

Apotheosis of Delacroix reflects Cézanne's lifelong admiration for Eugène Delacroix, the Romantic painter who died in 1863. Kept in the Musée Granet in Aix-en-Provence, the work imagines Delacroix ascending heavenward, borne by allegorical figures—an unusual subject for a painter otherwise devoted to landscape, portraiture, and still life. Cézanne made several studies for this composition across different decades, treating it as a private homage rather than a commission. The painting reveals the emotional intensity that underpins his famously austere method, connecting his analytical modernism back to the coloristic passion of Romanticism.

Technical Analysis

The composition is loosely structured around a central rising figure surrounded by attendant forms in swirling color. Cézanne's brushwork here is freer than in his still lifes, recalling Delacroix's own fluid stroke, though the characteristic faceted patches of color still organize the surface into discrete chromatic planes.

See It In Person

Musée Granet

Aix-en-Provence, France

Visit museum website →

Quick Facts

Medium
canvas
Era
Post-Impressionism
Style
Post-Impressionism
Genre
Allegory
Location
Musée Granet, Aix-en-Provence
View on museum website →

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Rocks and Trees (Rochers et arbres) by Paul Cézanne

Rocks and Trees (Rochers et arbres)

Paul Cézanne·1904

Bathers (Baigneurs) by Paul Cézanne

Bathers (Baigneurs)

Paul Cézanne·1903

Fruit on a Table (Fruits sur la table) by Paul Cézanne

Fruit on a Table (Fruits sur la table)

Paul Cézanne·1891

Gardener (Le Jardinier) by Paul Cézanne

Gardener (Le Jardinier)

Paul Cézanne·1885

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