
Apotheosis of Delacroix
Paul Cézanne·1890
Historical Context
Apotheosis of Delacroix reflects Cézanne's lifelong admiration for Eugène Delacroix, the Romantic painter who died in 1863. Kept in the Musée Granet in Aix-en-Provence, the work imagines Delacroix ascending heavenward, borne by allegorical figures—an unusual subject for a painter otherwise devoted to landscape, portraiture, and still life. Cézanne made several studies for this composition across different decades, treating it as a private homage rather than a commission. The painting reveals the emotional intensity that underpins his famously austere method, connecting his analytical modernism back to the coloristic passion of Romanticism.
Technical Analysis
The composition is loosely structured around a central rising figure surrounded by attendant forms in swirling color. Cézanne's brushwork here is freer than in his still lifes, recalling Delacroix's own fluid stroke, though the characteristic faceted patches of color still organize the surface into discrete chromatic planes.
 - BF286 - Barnes Foundation.jpg&width=600)
 - BF1179 - Barnes Foundation.jpg&width=600)
 - BF577 - Barnes Foundation.jpg&width=600)
 - BF534 - Barnes Foundation.jpg&width=600)



