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The Green Sail by Paul Signac

The Green Sail

Paul Signac·1904

Historical Context

Painted in 1904 and held at the Musée d'Orsay, this Venetian harbour scene takes a distinctive motif — a single vivid green sail — as its compositional focus and chromatic keynote. The title is characteristic of Signac's tendency to identify a dominant colour element as the work's expressive centre, a practice reflecting his Symbolist-inflected belief that colour could carry emotional and musical meaning. Venice's historic sailing and working boats provided varied colourful subjects among the Baroque and Renaissance architecture. This work is among the most celebrated of his Venetian paintings in its boldness of colour and composition.

Technical Analysis

The green sail dominates the composition as a flat, saturated field against which complementary warm reds and oranges of surrounding hulls and buildings create a maximum contrast. Signac's mosaic strokes are at their most confident here, building the green through varied warm and cool yellow-green passages that give it optical depth.

See It In Person

Musée d'Orsay

Paris, France

Visit museum website →

Quick Facts

Medium
oil paint
Dimensions
Unknown
Era
Post-Impressionism
Style
Post-Impressionism
Genre
Landscape
Location
Musée d'Orsay, Paris
View on museum website →

More by Paul Signac

Pont Mirabeau by Paul Signac

Pont Mirabeau

Paul Signac·1903

Concarneau by Paul Signac

Concarneau

Paul Signac·1932

Mont Saint-Michel. Fog and sun by Paul Signac

Mont Saint-Michel. Fog and sun

Paul Signac·1897

Samois Study No. 8 by Paul Signac

Samois Study No. 8

Paul Signac·1899

More from the Post-Impressionism Period

Rocks and Trees (Rochers et arbres) by Paul Cézanne

Rocks and Trees (Rochers et arbres)

Paul Cézanne·1904

Bathers (Baigneurs) by Paul Cézanne

Bathers (Baigneurs)

Paul Cézanne·1903

Fruit on a Table (Fruits sur la table) by Paul Cézanne

Fruit on a Table (Fruits sur la table)

Paul Cézanne·1891

Gardener (Le Jardinier) by Paul Cézanne

Gardener (Le Jardinier)

Paul Cézanne·1885